| 略谈情绪与艺术语言 |
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| 引用本文： | 赵升奎.略谈情绪与艺术语言[J].昭通师范高等专科学校学报,2000(4). |
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| 作者姓名： | 赵升奎 |
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| 作者单位： | 昭通师范高等专科学校!云南昭通657000 |
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| 摘 要： | 情绪是艺术语言产生美感的实质性要素，情绪特征也正是艺术语言的审美特征，从汉字的创造初始到词语的动态使用再到语段的超常组合都渗透着主体的审美情绪，艺术语言是情绪化的语言。情绪与艺术语言联系的确立，是艺术语言边缘性研究的基础，必将促使艺术语言审美层次的提高。
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| 关 键 词： | 艺术语言 情绪渗透 美感 |
A Brief Talk on Sentiments and the Artistic Language |
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| ZHAO Sheng -kui.A Brief Talk on Sentiments and the Artistic Language[J].Journal of Zhaotong Teacher's College,2000(4). |
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| Authors: | ZHAO Sheng -kui |
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| Institution: | ZHAO Sheng -kui |
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| Abstract: | A sentiment is a substantive factor for the artistic language to produce aesthetic feelings and the emotional characteristic is just aesthetic one of the artistic language. From the initiation of Chinese characters to the dynamic usage of the words, then to the super - combination of paragraphs, it is all penetrated with the subjec's aesthetic sentiments. The artistic language is a sentimental language. The artistic language is a sentimental language. The establishment of combination between sentiments and the artistic language is the basis of artistic language's bordline research. It will surely impel the artistic language's aesthetic to reach a high level. |
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| Keywords: | artistic language sentimental infiltration aesthetic |
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