| 浅论中西诗歌的意象比较 |
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| 引用本文： | 郑慧婷.浅论中西诗歌的意象比较[J].湖北第二师范学院学报,2012(5):16-18. |
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| 作者姓名： | 郑慧婷 |
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| 作者单位： | 西南大学中国新诗研究所 |
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| 摘 要： | 意象在整个诗学理论和诗歌创作中是一个很重要的美学范畴,中华民族几千年的文化积淀形成了古典诗歌中的意象理论,对西方诗歌也产生了不可磨灭的影响。无论是英美的意象派,还是法国兴起的象征派诗歌都受到了中国古代意象理论的影响。当然中西方不同的文化背景等决定了两种意象理论同异并存。
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| 关 键 词： | 意象 主客交融 意象派 象征派 |
A Tentative Study on Image Contrast Between Chinese and English Poems |
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| ZHENG Hui-ting.A Tentative Study on Image Contrast Between Chinese and English Poems[J].Journal of Hubei University of Education,2012(5):16-18. |
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| Authors: | ZHENG Hui-ting |
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| Institution: | ZHENG Hui-ting(Institute of Chinese New Poetry,Southwest University,Chongqing 400715,China) |
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| Abstract: | Imagery is a very important aesthetic category in the theory of poetics and poetry creation.For thousands of years,the cultural heritage of the Chinese nation has formed imagery theory in classical poetry and also produced an indelible impact on the western poetry.Either British and American imagists or symbolists arisen in France were influenced by the imagery theory of ancient China.Naturally,cultural difference between East and West determines the coexistence of two imagery theories. |
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| Keywords: | imagery blending of subject and object imagists symbolists |
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