| 艺术·否定·社会--论阿多尔诺的美学思想 |
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| 引用本文： | 杨晓莲.艺术·否定·社会--论阿多尔诺的美学思想[J].四川师范大学学报(社会科学版),2002,29(1). |
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| 作者姓名： | 杨晓莲 |
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| 作者单位： | 渝西学院,中文系,重庆,永川,402168 |
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| 摘 要： | 阿多尔诺的美学思想在西方美学史上具有重要的地位。他站在对当代资本主义工业文明进行彻底批判的立场上 ,把现代艺术作为美学研究的核心课题 ,着重研究了现代艺术的本质特征、艺术的批判与拯救功能、艺术的形式与自律等问题 ,认为艺术的本质在于对现实世界的否定 ,具有批判现实和拯救人性的功能 ,这一切的支撑点则在于艺术的自律性
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| 关 键 词： | 阿多尔诺 美学思想 本质特征 批判功能 拯救功能 艺术自律性 |
On Adorno's Aesthetic |
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| Yang Xiao-lian.On Adorno''s Aesthetic[J].Journal of Sichuan Normal University(Social Science Edition),2002,29(1). |
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| Authors: | Yang Xiao-lian |
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| Abstract: | Adorno's aesthetic possesses an important position in the history of western aesthetics. On the standpoint of thoroughly criticizing contemporary capitalist industrial civilization, taking modern art as the core subject of aesthetic study, Adorno makes a special effort to study issues of the essence features of modern art, the criticizing and saving functions of art, and the form and antonomy of art, and holds that the essence of art lies in the negation of reality through which art possesses functions of criticizing reality and saving humanity, and the autonomy of art is the supporting point for all. |
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| Keywords: | Adorno aesthetic essence features criticizing function saving function autonomy of art |
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