| 祝尧的古赋流变论 |
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| 引用本文： | 杨赛.祝尧的古赋流变论[J].安徽教育学院学报,2005,23(2):55-59. |
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| 作者姓名： | 杨赛 |
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| 作者单位： | 上海师范大学,人文与传播学院,上海,200234 |
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| 摘 要： | 祝尧把辞赋的演进分为五段:楚辞体、两汉体、三国六朝体、唐体和宋体,认为自西汉开始,辞赋一代工于一代,至唐、宋进士赋体,丽辞藻句已达极至,宋人纠枉过正,衍出说理一体.他论辞赋有四体:古赋、俳赋、律赋和文赋.古赋祖骚宗汉、以情为本,俳赋务于对偶、协韵,律赋严于声律,文赋的特征在于议论.祝尧讨论了后骚、辞、文、歌、操与古赋之间的关系,继晁补之、朱熹之后,兴文体横向比较之风.
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| 关 键 词： | 祝尧 <古赋辩体> 古赋流变论 |
| 文章编号： | 1001-5116(2005)02-0055-05 |
| 修稿时间： | 2004年11月16日 |
ZHU Yao's viewpoint on spreading of Gufu |
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| Yang Sai.ZHU Yao''''s viewpoint on spreading of Gufu[J].Journal of Anhui Institute of Education,2005,23(2):55-59. |
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| Authors: | Yang Sai |
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| Abstract: | ZHU Yao divided the development of Ci & Fu into five stages: style of Chuci, style of Han dynasty, style of Three kingdom and Six dynasties, style of Tang and that of Song dynasty. Since West Han dynasty, Ci & Fu became more polished.In the Tang and Song dynasties, magnificent language reached it peak, however, People in Song dynasty developed Fu into a unit of reason. ZHU Yao categorizes Ci & Fu into four styles: Gufu, Paifu, Lufu and Wenfu. Gufu is known for imitating Sao and Han fu and focusing on emotion;Paifu for antithesis, rhythm, lufu for rhyme and rhythm and Wenfu for argumentation. What's more, ZHU Yao discussed the interrelationship among Sao, Ci, Wen, Ge, Cao and Gufu, springing up horizontal comparison of style after ZHAO Bu-zi and ZHU Xi. |
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| Keywords: | ZHU Yao Gufu Bianti on spreading of Gufu |
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