| 艺术的镜像——绘画艺术的技术化 |
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| 引用本文： | 栗壮志.艺术的镜像——绘画艺术的技术化[J].内蒙古大学学报(人文社会科学版),2013(6):54-57. |
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| 作者姓名： | 栗壮志 |
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| 作者单位： | 深圳大学师范学院美术系,广东深圳518060 |
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| 摘 要： | 艺术家通过技术手段运用物质材料赋予绘画作品审美内涵，作为由物质材料构成的作品，需要正确、合理地运用材料和技法才能长久保存，作品作为艺术家的技术的镜像存在。只有合理的技术手段，艺术诉求才能得以实现，艺术作品才能长久保存。
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| 关 键 词： | 技术 保存 艺术 绘画作品 |
The Mirror of Art the Techniques of Painting |
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| LI Zhuang-zhi.The Mirror of Art the Techniques of Painting[J].Journal of Inner Mongolia University(Humanities & Social Sciences),2013(6):54-57. |
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| Authors: | LI Zhuang-zhi |
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| Institution: | LI Zhuang-zhi (Art Department of Normal College, Shenzhen University, Shenzhen 518060, China) |
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| Abstract: | Artists through techniques give paintings aesthetic connotations by physical materials. As matter and material works, it needs to correct and reasonably use the materials and techniques in order to continue to preserve. The works serve as a mirror of imagination of the artist＇s techniques. Only through reasonable technical means can artistic aspirations be realized, and can the works of art be preserved permanently. |
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| Keywords: | technology preservation art paintings |
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