| 先秦悲哀原则的逻辑秩序 |
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| 引用本文： | 谢柏梁.先秦悲哀原则的逻辑秩序[J].海南师范大学学报(社会科学版),2004,17(4):77-84. |
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| 作者姓名： | 谢柏梁 |
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| 作者单位： | 上海交通大学,媒体学院,上海,200030 |
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| 基金项目： | 上海市哲学社会科学规划项目《中国悲剧美学史》(编号 2 0 0 3Bwy0 0 4) |
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| 摘 要： | 中国人对于悲哀苦痛的感受和反应，中国文学艺术中的悲剧性意蕴以及中国悲剧的思想根源，似乎都可以上溯到先秦思想中有关悲哀情感控制的一些基本命题。作为基本存在方式，悲哀原则以时间、空间和一定的度量，形成悲而有时、悲而有地和悲而有节的外部规定性。其内在根源乃是主体人格情感三大依据，即由人生的悲哀导致恻隐之心的形成，由道德的悲哀导致是非羞恶感的形成，由理想的悲哀导致浩然之气的养护。从悲哀原则的基本存在方式，引申为乐而不淫、哀而不伤的美学精神；从人格情感的塑造，进而讨论哭泣之哀、吊者大悦的审悲心理的形式；把人格情感和存在方式两者结合起来，再归纳出声音之道与政通的艺术哲学。
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| 关 键 词： | 先素 悲哀原则 存在方式 主体人格 审美形态，艺术哲学 |
| 文章编号： | 1672-223X(2004)04-0077-08 |
The Logical Order of Grievance Principle in the Pre-Qin Dynasties |
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| Authors: | XIE Bo-liang |
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| Abstract: | The experience and reaction of the Chinese in and to grievance and anguish, the tragic implications in Chinese literature and art as well as the ideological source of Chinese tragedy all seem to have dated back to some propositions on the control of grievance in the Pre-Qin ideology. As the basic form of existence, the grievance principle has some exterior features by means of time, space and certain tolerance, the innate cause of which lies in three components of subjective personality emotions. This paper aims to probe into the principle of grievance and sum up the artistic philosophy of the acoustic impact and political stability. |
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| Keywords: | the Pre-Qin dynasties the principle of grievance the form of existence the subjective character the form of aesthetics art philosophy |
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