| 论艺术作品中具象与抽象意味的转换 |
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| 引用本文： | 冉献东.论艺术作品中具象与抽象意味的转换[J].商丘师范学院学报,2006,22(1):175-176. |
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| 作者姓名： | 冉献东 |
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| 作者单位： | 商丘师范学院,美术系,河南,商丘,476000 |
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| 摘 要： | 具象与抽象是绘画的两种表现形式,具象中有抽象的存在,依托抽象提升再现具象的艺术性;抽象中有具象的基础,在再现具象的能力基础上升华出抽象意味。具象特征最强烈的写实绘画作品由于表现出非同凡响的对客观对象的意象感受,从自然中寻求最吸引人的形式元素,绘画本身有引导观者观看的信号;这时,写实具象作品就有了抽象的意味。最具抽象特征的表现性作品,往往由于摆脱内容的束缚,以形式的面貌走向自由王国,走向意念的深处,带给有共同经验的观者以心理上的真实和具象。所以抽象作品又有具象的意味。
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| 关 键 词： | 艺术作品 具象 抽象 转换 |
| 文章编号： | 1672-3600(2006)01-0175-02 |
| 修稿时间： | 2005年7月26日 |
On Reproduction and Representation in Works of Fine Art |
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| RAN Xian-dong.On Reproduction and Representation in Works of Fine Art[J].Journal of Shangqiu Teachers College,2006,22(1):175-176. |
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| Authors: | RAN Xian-dong |
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| Abstract: | Reproduction and representation are the two ways of painting. They are inter-transformed and are of the relation of cause and effect.In reproduction there is representation by which to enhance the artisticness of reproduction while in representation there is reproduction on the basis of which to distill the sense of representation.Realistic paintings with the strongest feature of reproduction display the extraordinary imagery feeling and search the most attractive elements from nature;therefore,the paintings themselves have the signals to guide the viewers,and at such a time,the paintings possess the sense of representation.The abstract paintings with the feature of representation are free from the restriction of the content and penetrate into the realm of freedom and the core of concept,thus display the real and concret images in psychology of the viewers with the similar experiences.Therefore the abstract paintings purchase the sense of concret images. |
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| Keywords: | reproduction representation concret image abstract image |
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