| 中国古代水墨画墨色审美与尚黑审美传统的形成 |
| |
| 引用本文： | 周斌.中国古代水墨画墨色审美与尚黑审美传统的形成[J].喀什师范学院学报,2007,28(2):75-78. |
| |
| 作者姓名： | 周斌 |
| |
| 作者单位： | 广西师范大学,文学院,广西,桂林,541004 |
| |
| 摘 要： | 中国古代尚黑审美传统,起源于原始黑色崇拜,把水墨运用和发展为一种绘画材料,也可以说是基于黑色崇拜的一种智慧性的发掘,此外还有中国传统哲学的影响。中国水墨画的色彩审美有着尚黑的特点,并形成了独特的墨色语言系统,具有高度的艺术性和审美意义。中国水墨画把原始本能的黑色上升为供欣赏品味的墨色艺术形式,标志着中国古代尚黑审美传统的最终形成。
|
| 关 键 词： | 中国水墨画 黑色崇拜 尚黑传统 墨色 |
| 文章编号： | 1006-432X（2007）02-0075-04 |
| 修稿时间： | 2006-10-22 |
The Aesthetic Ink of Ancient Chinese Wash Painting and the Formation of Black Aesthetic Tradition |
| |
| ZHOU Bin.The Aesthetic Ink of Ancient Chinese Wash Painting and the Formation of Black Aesthetic Tradition[J].Journal of Kashgar Teachers College,2007,28(2):75-78. |
| |
| Authors: | ZHOU Bin |
| |
| Institution: | Department of Chinese Language and Literatare, Guangxi Normal University,Guilin 541004, China |
| |
| Abstract: | Ancient Chinese black aesthetic tradition comes from primitive black worship,and applies water ink and develops for one kind of drawing material in wisdom,which is effected by Chinese tradition philosophy and has formed and unique ink color language system.The aesthetic characteristic of Chinese wash painting color is running after the black,and also has its own unique language system,with high aesthetic and artistic significance.ang marks the eventual formation of black aesthetic tradition. |
| |
| Keywords: | Chinese wash painting Black worship Esthetic ink Black esthetic tradition |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
