| 明代内府杂剧曲调研究 |
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| 引用本文： | 郑莉,邹代兰.明代内府杂剧曲调研究[J].江西师范大学学报(哲学社会科学版),2008,41(1):82-89. |
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| 作者姓名： | 郑莉 邹代兰 |
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| 作者单位： | 1. 张家口教育学院,中文系,河北,张家口,075000
2. 张家口教育学院,法政系,河北,张家口,075000 |
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| 摘 要： | 明代内府杂剧在体制上继承了元杂剧的传统，体现出程式化和规范化的特点，且有一定的创造性。在音乐性上，内府杂剧在宫调使用上更加简化，在音乐形式上更趋整齐，使用曲牌更加集中，也更规范更戍体系。通过对明内府杂剧的曲调组合形式的考察，将其与元杂剧及明代以朱有＇墩为代表的贵族藩王创作的宫廷杂剧进行比较，总结出内府杂剧曲调的组合规律。
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| 关 键 词： | 内府杂剧 宫调 曲调 曲牌 组合规律 |
| 文章编号： | 1000-579(2008)01-0082-08 |
| 修稿时间： | 2007年9月7日 |
The Study of the Melodies Used in the Court Zaju in the Ming Dynasty |
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| ZHENG Li,ZOU Dai-lan.The Study of the Melodies Used in the Court Zaju in the Ming Dynasty[J].Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition),2008,41(1):82-89. |
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| Authors: | ZHENG Li ZOU Dai-lan |
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| Institution: | ZHENG Li, ZOU Dai-lan ( 1. Chinese Department, Zhangjiakou Institute of Education, Zhangjiakou, Hebei 075000; 2. Department of Law and Politics, Zhangjiakou Institute of Education, Zhangjiakou, Hebei 075000, China) |
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| Abstract: | The court Zaju in the Ming dynasty systematically inherited the tradition of Zaju in the Yuan Dynasty, showing new characteristics of stylization, standardization and , to some extend, creation. In terms of the music, the melody was more simplified, the musical forms standardized, and Qupai（names of tunes to which Qu is composed） were concentrated and systematic. By exploring the combination of different melodies and comparing the Zaju in the Yuan Dynasty with the Zaju by feudal lords in the Ming Dynasty represented by Zhu You- dun, this academic paper sumarized the roles combing different melodies of the court Zaju. |
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| Keywords: | court Zaju modes melodies Qupai roles combing different melodies of the court Zaju |
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