| 中国古代文论现代转换之一瞥--艺术形象理论与艺术意象理论及其趋向融合 |
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| 引用本文： | 朱寿兴.中国古代文论现代转换之一瞥--艺术形象理论与艺术意象理论及其趋向融合[J].广西师范大学学报(哲学社会科学版),2005,41(4):42-46. |
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| 作者姓名： | 朱寿兴 |
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| 作者单位： | 广西师范大学,中文系,广西,桂林,541004 |
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| 摘 要： | 中国现代的艺术意象理论基本上是传统的艺术意象理论的发展和延伸,而中国现代的艺术形象理论则首先是“拿来主义”传释行为的结果,其后才是作为“舶来物”的西方艺术形象理论与中国传统的艺术意象理论在相互映照、相互渗透中“中国化”过程的呈现。由于艺术意象理论汲取了艺术形象说的合理内核,今日艺术理论的发展正在展露出这样一种趋趋势：经过现代阐释的艺术意象理论将取代舶来的艺术形象理论。
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| 关 键 词： | 意象 形象 理论 融合 |
| 文章编号： | 1001-6597(2005)04-0042-05 |
| 收稿时间： | 08 16 2005 12:00AM |
| 修稿时间： | 2005年8月16日 |
A GLANCE AT MODERNIZED TRANSFORMATION OF ANCIENT CHINESE LITERARY THEORIES |
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| ZHU Shou-xing.A GLANCE AT MODERNIZED TRANSFORMATION OF ANCIENT CHINESE LITERARY THEORIES[J].Journal of Guangxi Normal University(Philosphy and Social Science Edition),2005,41(4):42-46. |
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| Authors: | ZHU Shou-xing |
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| Institution: | Department of Chinese Language and Literature, Guangxi Normal University, Guilin 541004,China |
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| Abstract: | The modern Chinese artistic subjective imagism has been basically developed and extended from its ancient counterpart.The modern Chinese artistic objective imagism,however,is a result of "adaptationism";it has been a representation of the inter-permeation and inter-reflection of the Western objective artistic imagism and the traditional Chinese subjective artistic imagism.As the subjective artistic imagism has taken in the rational crux of the objective artistic imagism,the present development of theories on art.has such a trend that the modern subjective artistic imagism is replacing the objective artistic imagism. |
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| Keywords: | subjective imagism objective imagism theory amalgamation |
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