| 中国古代文人画发展初探 |
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| 引用本文： | 吴新峰.中国古代文人画发展初探[J].宁波职业技术学院学报,2014(4):79-82. |
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| 作者姓名： | 吴新峰 |
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| 作者单位： | 无锡天一绣品有限公司,江苏无锡214000 |
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| 摘 要： | 文人画泛指中国封建社会中文人、士大夫所作之画。建立在传统文化基础之上的中国文人画，是中国古代文人在绘画中表达思想、才情、审美和技艺的一种融诗、书画于一体的美术创作形式。中国文人画的发展，大体分三个阶段：一是魏晋至隋唐，心境超前于表现，为前文人画阶段；二是宋元，心境与表现相匹配，为标准文人画阶段；三是明清，心境落后于表现，为后文人画阶段。
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| 关 键 词： | 文人画 士大夫 中国古代 书画同源 |
The Development of Ancient Chinese Southern School |
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| Institution: | QIU Li-zhen (Ningbo City College of Vocational Technology, Ningbo 315100, China) |
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| Abstract: | Southern School refers to literati and officialdom’s Paintings in Chinese Feudal Society, which is based on the traditional culture, and it is an art form for literati and officialdom to express thire ideas, talents, aesthetic and skill. The development of the Chinese Southern School roughly three stages：the wei, jin, sui and tang dynasties is the first stage, the painters’ mood ahead of the performance, which is the first phase of Southern School; the Second is the song and yuan dynasties, the painters’ mood is equal to the performance, as the standard stage of Southern School; the third is the Ming and qing dynasties, the painters’ mood behind of the performance, which is the later stage of Southern School. |
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| Keywords: | Southern School literati and officialdom Ancient China common origins of calligraphy and painting |
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