| 寓言垂世 摭事摹神——论张竹坡《金瓶梅》评点中的艺术虚构论 |
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| 引用本文： | 石海光.寓言垂世 摭事摹神——论张竹坡《金瓶梅》评点中的艺术虚构论[J].内蒙古师范大学学报(哲学社会科学版),2004,33(3):62-65. |
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| 作者姓名： | 石海光 |
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| 作者单位： | 内蒙古师范大学,文学院,内蒙古,呼和浩特,010022 |
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| 摘 要： | 对《金瓶梅》这部中国最早的长篇世情小说,张竹坡充分肯定了其艺术虚构的价值,指出它是一部为“泄愤”而创作的“寓言”,对小说创作中的情感取向与价值取向提出了明确的要求;进而又探讨了虚构中的艺术真实性问题,强调真实的生活体验在创作中的意义,指出艺术真实既来源于生活又不是对生活的机械照搬．所论已初步涉及文学的典型化问题。
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| 关 键 词： | 张竹坡 《金瓶梅》 寓言 艺术真实 |
ON THE ARTISTIC FABRICATION IN THE COMMENTARIES AND PUNCTUATIONS FOR JIN PING MEI BY ZHANG ZHUPO |
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| SHI Haiguang.ON THE ARTISTIC FABRICATION IN THE COMMENTARIES AND PUNCTUATIONS FOR JIN PING MEI BY ZHANG ZHUPO[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2004,33(3):62-65. |
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| Authors: | SHI Haiguang |
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| Abstract: | Zhang Zhupo fully affirmed the value of the artistic fabricaticn in Jin Ping Mei, the earlist long story of worldly affairs in China, pointing out that the book Jin Ping Mei was a fable written for the sake of giving vent to the author's pent-up anger; coming up with the clear-cut demands for emotion and values of novel creations; probing further into the artistic truthfulncss in fabrication; stressing the significance of real life experiences in creation; coming up with the idea that the artistic truthfulness derived from life but did not copy life mechanically, which involves the liberal typicalness preliminarily. |
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| Keywords: | Zhang Zhupo "Jin Ping Mei" fable artistic trathfulness |
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