| 当代武侠电影暴力美学的渊源与特征 |
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| 引用本文： | 赵洪义.当代武侠电影暴力美学的渊源与特征[J].山西大学师范学院学报,2008(2):87-88. |
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| 作者姓名： | 赵洪义 |
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| 作者单位： | 辽东学院师范学院中文系,辽宁丹东118003 |
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| 摘 要： | 暴力美学主要指电影中对暴力的形式主义追求，其目的是消解暴力。受中国传统文学中暴力表达及暴力与侠义共存的江湖文化的影响，当代武侠电影显示出鲜明的暴力美学特征，主要表现为暴力的神圣化、伦理化，暴力动作的舞蹈化，暴力的浪漫化，暴力的喜剧化。当今电影创作有渲染暴力的趋势，无论从道德意义还是从美学意义讲，这都是不可取的。
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| 关 键 词： | 武侠电影 暴力美学 渊源 特征 |
Origin and Characteristics of Violence Aesthetics in Contemporary Ghivalry Movies |
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| ZHAO Hong-yi.Origin and Characteristics of Violence Aesthetics in Contemporary Ghivalry Movies[J].Journal of Teachers College of Shanxi University,2008(2):87-88. |
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| Authors: | ZHAO Hong-yi |
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| Institution: | ZHAO Hong-yi (Dept. of Chinese Language and Literature, Eastern Liaoning University, Dandong 118003, China) |
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| Abstract: | Violence aesthetics mainly refers to the pursuit of violence in the film in formalism, and aims at the elimination of violence. Influenced by traditional Chinese literary expression of violence and chivalry coexistence, contemporary chivalry movies show distinctive aesthetic characteristics of violence, mainly displayed as sanctification and ethicizing of violence, violent actions becoming dances, violence become romantic and comic. However, there is a tendency of manifesting violence, which is not advisable either from moral sense or from aesthetic sense. |
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| Keywords: | chivalry movies violence aesthetics origin characteristics |
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