| 全球化语境与中国本土电影 |
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| 引用本文： | 郭培筠.全球化语境与中国本土电影[J].广播电视大学学报,2002(2):102-105. |
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| 作者姓名： | 郭培筠 |
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| 作者单位： | 内蒙古师范大学,内蒙古,呼和浩特,010022 |
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| 摘 要： | 目前，处于全球化语境中的中国电影将如何摆脱困境与危机，已成为十分迫切的问题。中国本土电影只有以积淀了民族审美经验和情感的艺术形式去反映民族化传统并运用现代意识去观照和超越传统化，充分利用本土化资源去反映了中国社会的当下状态和普通人的命运及价值观念的嬗变，努力挖掘中国传统美学中的东方诗情和东方神韵并与现代电影语言审美地结合，才有可能在世界电影艺术的领域中拥有一块立足之地。
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| 关 键 词： | 好莱坞电影 本土电影 民族文化 |
| 文章编号： | 1008-0597(2002)02-0102-04 |
| 修稿时间： | 2001年12月15 |
The Globalist Language Situation and the Chinese Native Film |
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| GUO Pei-yun.The Globalist Language Situation and the Chinese Native Film[J].Journal of TV University(Philosophy & Social Sciences),2002(2):102-105. |
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| Authors: | GUO Pei-yun |
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| Abstract: | Now it has because a very urgent question for the Chinese native film to get out of its difficult position in the globalist language situation. The only way out for the Chinese native film is to reflect Chinese national cultural tradition in the atistic form which has accumulated very rich aesthetic experiences and emotions;to take great interest in the Chinese traditional culture and surpass the traditional culture; to reflect the presentday conditions in the Chinese society ,the fate of the Chinese ordinary people and the changes in their order of values ,and to take pains to dig up the oriental poetic emotion and poetic mood in the Chinese traditional aesthetic ,and combine them with modern movie language. Only in this way, the Chinese native film can find its own place in the field of movie art in the world. |
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| Keywords: | Hollywood film Native film National culture |
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