| 朱光潜语言论的变奏及与中国传统诗学的回响 |
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| 引用本文： | 裴,萱.朱光潜语言论的变奏及与中国传统诗学的回响[J].嘉应学院学报,2013(12):59-63. |
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| 作者姓名： | 裴 萱 |
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| 作者单位： | 武汉大学文学院,武汉430072 |
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| 基金项目： | 武汉大学博士自主科研项目（201311i1010201）. |
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| 摘 要： | 朱光潜的"语言论"作为其美学体系的重要组成部分,直接弥补、沟通了克罗齐直觉美学观的不足,同时也丰富了自身的美学体系。在大量接受克罗齐"直觉即表现"的主观内在式思维,建立美感经验的独立性之后,在"艺术传达"这一问题上涉及到从"主体论"到艺术"本体论"以及其中的"语言学转向"问题,这些都促使朱光潜面对中国传统诗歌资源的时候从"点悟式""体验式"的主体心灵鉴赏角度转向对诗歌本身语言形式上的"内在"分析。在重视语言对诗歌重要的作用同时,他提出了语言——思想——情感的连贯性和一致性关系。中国诗学本身即具有汉语的诗性传统,而朱光潜将其与瑞恰兹的文学语言理论进行相互生发、相互变奏,最终不仅使得现代美学在学科化进程的同时加强对审美经验的阐释力度,更是为现代美学的发展塑造了一条崭新的发展路径。
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| 关 键 词： | 语言论 现代美学 瑞恰兹 文学语言 诗论 |
The Variation of Zhu Guangqians Language Theory and Chinese Traditional Poetics |
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| PEI Xuan.The Variation of Zhu Guangqians Language Theory and Chinese Traditional Poetics[J].Journal of Jiaying University,2013(12):59-63. |
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| Authors: | PEI Xuan |
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| Institution: | PEI Xuan ( College of Literature, Wuhan University, Wuhan 430072 , China) |
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| Abstract: | The ＂language＂ theory, as an important constituent of Zhu Guangqian＇s aesthetic system, directly makes up the lack of aesthetic, communicate the groce intuition, at the same time enriches the aesthetic system, and es tablishes the independence of the aesthetic experience of Groce＇s ＂intuition＂ subjective internal thinking. In the ＂art convey＂ , this issue involves the＂ frora ＂subjective＂ to ＂ontology＂ of art as well as the problem of ＂linguistic turn＂. These prompted Zhu Guangqian to face Chinese traditional poetry resources from ＂point＂ enlightenment and ＂experiential＂ main body of appreciation toward the heart of poetry itself ＂inherent＂ in the form of the nalysis. In attention to the important role of language poetry, between coherence and consistency. Chinese poetics make mutual germinal, variation with literary process of modem aesthetics in China and at the also for the development of modem aesthetics. he proposed the idea - language language a emotional relationship has the Chinese poetic tradition itself, and Zhu Guangqian language theory of Richards, and ultimately not only makes the same time strengthen the interpretation of aesthetic experience, but |
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| Keywords: | theory of language modern aesthetics Richards literary ianguage poetics |
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