| 浅析动画本体中的运动性和绘画性 |
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| 引用本文： | 王钊.浅析动画本体中的运动性和绘画性[J].内江师范学院学报,2009,24(5):122-124. |
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| 作者姓名： | 王钊 |
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| 作者单位： | 中国传媒大学动画学院,北京,100024 |
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| 摘 要： | 动画是赋予非生命物质以生命的一种艺术表现形式。自电影诞生后，电影视觉语言在动画中的应用使动画成为电影的一个分支。作为电影本质属性的“运动性”成为动画本体性中的根本元素。但与反映现实世界的真人电影不同，动画的每帧画面是对现实世界再创作的绘画，绘画的创作技法直接在动画中得以显现，因此绘画性与运动性共同构建了动画的本体。
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| 关 键 词： | 动画 运动性 绘画性 |
An Analysis of Motility and Drawing Nature in Animation |
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| WANG Zhao.An Analysis of Motility and Drawing Nature in Animation[J].Journal of Neijiang Teachers College,2009,24(5):122-124. |
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| Authors: | WANG Zhao |
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| Institution: | School of Animation;China University of Communication;Beijing 100024;China |
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| Abstract: | Animation is a kind of art which brings life to those who are inanimate.Since the birth of movie,the visual language has been used in it and the employment of the language in cartoon makes animation become a branch of movie.As a nature of movie,motility has become the essential element of the film itself.However,different from the movie which reflects the life of real persons,each picture of animation is the recreation of our real world,the skill of which is shown directly in animation.Accordingly,the drawi... |
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| Keywords: | animation motility drawing nature |
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