| 论中国新诗的三种声音 |
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| 引用本文： | 许霆.论中国新诗的三种声音[J].常熟理工学院学报,2011,25(3):73-81. |
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| 作者姓名： | 许霆 |
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| 作者单位： | 常熟理工学院人文学院; |
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| 摘 要： | 中国新诗在历史发展和艺术探索中,形成了三种声音,这是中国新诗的重要艺术特征。第一种声音即宣示的声音,是在应对启蒙使命和诗人主体觉醒后在新诗发生期出现的,然后在历史发展中向着大众群体代言和心灵独白诉说两个方向变异。第二种声音即戏剧角色的声音,反映的是现代诗歌非个人化的抒情技巧,随着现代主义诗歌发展经历若干阶段,形成戏剧独白、戏剧对谈、诗人旁白、主体分层和人称变化等艺术表现手法。第三种声音即独语,重要特征是声音的单向抒发或自言自语,这种声音在卞之琳和冯至等人的玄思性诗中发展到成熟的地步。
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| 关 键 词： | 新诗 声音 宣示 戏剧化 独语 |
On Three Voices of New Poetry in China |
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| XU Ting.On Three Voices of New Poetry in China[J].Journal of Changshu Institute of Technology,2011,25(3):73-81. |
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| Authors: | XU Ting |
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| Institution: | XU Ting (School of Humanities,Changshu Institute of Technology,Changshu 215500,China) |
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| Abstract: | There have evolved three voices from the historic development and artistic exploration of New Poetry inC hina,and this is its very important artistic feature.The first voice is the voice of declaration,which appeared during the emergence of New Poetry when poets were aware of accomplishing the mission of enlightenment and whichd eveloped towards the two directions of the group representative of the public and the expression of souls.The second voice is the voice of dramatic roles,which reflects the emotion ... |
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| Keywords: | New Poetry voices declaration dramatized speaking aside |
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