| 试论鸳鸯蝴蝶派小说的形式变革与新文学之关系 |
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| 引用本文： | 蔡玉梅.试论鸳鸯蝴蝶派小说的形式变革与新文学之关系[J].十堰职业技术学院学报,2006,19(2):10-13. |
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| 作者姓名： | 蔡玉梅 |
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| 作者单位： | 嘉应学院,生物系,广东,梅州,514015 |
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| 摘 要： | 如果说明清才子佳人小说和晚清小说的言情模式是一个封闭、静止的内向性结构,那么,民初鸳鸯蝴蝶派小说以其叙事技巧的现代性,小说形式的突破性初步呈现出外向性。尽管真正打破这一主题模式的,是随之而来的五四新小说,并最终在鲁迅手里发展成熟,出现了真正现代意味的小说。但民初的鸳鸯蝴蝶派通过现代性的转换,成为晚清小说与初期新文学的中介与桥梁。鸳鸯蝴蝶派小说在借鉴外国文学中的艺术经验时正是进行了这种创造性的加工,使它融化为本民族文学的一部分,并推动了中国小说的近代化。
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| 关 键 词： | 鸳鸯蝴蝶派小说 五四新小说 小说艺术 |
| 文章编号： | 1008-4738（2006）02-0010-04 |
| 收稿时间： | 2006-02-05 |
| 修稿时间： | 2006年2月5日 |
On the relation of the novel form transformation from the genre of Yuanyang Hudie to the new literature in the May Fourth Movement |
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| CAI Yu-mei.On the relation of the novel form transformation from the genre of Yuanyang Hudie to the new literature in the May Fourth Movement[J].Journal of Shiyan Technical Institute,2006,19(2):10-13. |
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| Authors: | CAI Yu-mei |
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| Abstract: | The novel form of Yuanyang Hudie in the early period of the Republic of China represents its extraversion with the skill of modern narration,compared with that of Caizijiaren in the Ming and Qing Dynasty,and that of romance fictions in the late Qing Dynasty,which represented its introversion.Although the new novel mode in the May Fourth Movement,which was maturely developed by Lu Xun,broke the old subject pattern and became modern novels,the school of Yuanyang Hudie became the bridge connected the old one with the new one through transformation.With the art experiences borrowed from foreign literature,the school made a creation in novels writing.And this creation has become a part of Chinese literature and pushed Chinese novel to modern times. |
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| Keywords: | novels of Yuanyang Hudie new novels of the May Fourth Movement novel art |
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