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大调曲的雅派与俗派
引用本文:仲立斌.大调曲的雅派与俗派[J].南阳师范学院学报,2004,3(11):82-84.
作者姓名:仲立斌
作者单位:南阳师范学院,音乐系,河南,南阳,473061
摘    要:大调曲是一种较古老的说唱音乐,有雅、俗两个流派,雅派追求典雅庄重,而俗派则力求贴近百姓生活、平易近人。清代中后期,大调曲以雅派为主;清代末年,随着大调曲逐渐流入民间,俗派产生。新中国成立后至“革”前,是雅、俗两派大调曲协同发展的时期,20世纪80年代后,大调曲逐渐衰落。挽救衰落中的大调曲,走一条以发展俗派、改良俗派为主的道路是非常可行的。

关 键 词:大调曲  说唱音乐  雅派  俗派
文章编号:1671-6132(2004)11-0082-03
修稿时间:2003年12月3日

The Elegant School and the Popular School of the Dadiao Tune
ZHONG Li-bin.The Elegant School and the Popular School of the Dadiao Tune[J].Journal of Nanyang Teachers College,2004,3(11):82-84.
Authors:ZHONG Li-bin
Abstract:Dadiao Tune is an ancient talking and singing music of Henan Province, Dadiao Tune has two schools which are the elegant school and the popular school. The elegant' school pursues refinement and gravity, while popular school is close to the life of people, and amiablely easy to approach. During the latter half of the Qing Dynasty , the elegant school was the main school of Dadiao Tune. Along with the Dadiao Tune's handing down among the populace , the popular school came into being. The time form the foundation of the People's Re pulic of China to the Cultural Revolution was the period which the elegant school cooperated with the popular school. After 1980's, Dadiao Tune declined step by step, it is feasible to develop and reform the popular school for the Dadiao Tune's recovering.
Keywords:Dadiao Tune  elegant school  popular school  
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