| 论现代绘画的稚拙美追求 |
| |
| 引用本文： | 周澍晖.论现代绘画的稚拙美追求[J].南阳师范学院学报,2004,3(8):80-81. |
| |
| 作者姓名： | 周澍晖 |
| |
| 作者单位： | 南阳师范学院,美术系,河南,南阳,473061 |
| |
| 摘 要： | 原始人类和儿童用稚拙、朴实的手法表达主观的想象和情感，创造出了具有稚拙美特征的绘画形式。它们以其感人的魅力，引领我们徜徉在返璞归真的精神世界里。现代绘画中对于表达内在情感的追求深受其影响，也以与之相似的形式呼唤着人类最原始的、美好的心灵，并启迪着人们对于生命本质的深思。现代绘画中摒弃一切没有创造性的对自然的照抄和没有生命力的单纯的形式追求，用有着原始的朴素情感意味的绘画形式唤起人类永恒的、纯洁的和高尚的感情。
|
| 关 键 词： | 观代绘画 稚拙美 |
| 文章编号： | 1671-6132(2004)08-0080-02 |
| 修稿时间： | 2004年4月17日 |
The Immature Beauty of the Modern Painting |
| |
| Zhou Shuhui.The Immature Beauty of the Modern Painting[J].Journal of Nanyang Teachers College,2004,3(8):80-81. |
| |
| Authors: | Zhou Shuhui |
| |
| Abstract: | The original people and children use the simple way to express the subjective imagination and e-motion, and produce the painting form featuring for the immature beauty. They lead us to the original spiritual world by its charming. The internal feeling in modern painting is also influenced by it, and calls the most original and beautiful heart by the same form and mekes people to consider the essence of the life. In the modern painting, it abandons all the uncreative copy of the nature and the pure purchase of the unloving, and uses the original simple emotional form of painting to call up the eternal and pure emotion of the human race. |
| |
| Keywords: | the modern painting immature beauty |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
