| 来自世俗人生的召唤--试析过士行剧作的世俗化倾向 |
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| 引用本文： | 谷海慧,张健.来自世俗人生的召唤--试析过士行剧作的世俗化倾向[J].天津师范大学学报(社会科学版),2004(4):49-54. |
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| 作者姓名： | 谷海慧 张健 |
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| 作者单位： | 北京师范大学,文学院,北京,100875 |
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| 摘 要： | 中国当代剧作家过士行关注着因沉迷于"艺道"而忽视世俗生活、错过世俗幸福的特殊群体。随着《鱼人》、《鸟人》、《棋人》、《坏话一条街》四部剧作的渐次发表,过士行笔下人物回归世俗生活的步伐渐快渐大。从剧中"超凡者"对世俗幸福态度的变化、作者赋予剧作的悲剧感与喜剧感的消长、"追随者"丰富世俗幸福的方式以及"旁观者"的世俗要求这四个角度入手分析,可以梳理出过士行剧作中呈现的世俗化倾向。过士行的"世俗",不同于文坛上其他的"世俗文学",而是个人的解放与自在。
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| 关 键 词： | 过士行 世俗化 "闲人三部曲" 《坏话一条街》 |
| 文章编号： | 1671-1106(2004)04-0049-06 |
| 修稿时间： | 2004年5月20日 |
Call of Secular Life--An analysis of the secularization in Guo Shi-xing's Drama |
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| GU Hai-hui,ZHANG Jian.Call of Secular Life--An analysis of the secularization in Guo Shi-xing''''s Drama[J].Journal of Tianjin Normal University(Social Science),2004(4):49-54. |
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| Authors: | GU Hai-hui ZHANG Jian |
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| Abstract: | Guo Shi-xing, a temporary Chinese dramatist, has been paying much attention to some peculiar communities who failed to enjoy the secular life and the worldly happiness owing to being indulged in art. After the staging of Bird Man, Fish Man, ChessPlayer and A Street of Vicious Talk one after another, it become apparent that the characters in his drama are returning to secular life at an ever-faster pace. We can see the inclination of secularization in Guo's works through analyses of the superior's attitude toward secular happiness, the wax and wane of the tragic sense and comedic sense in the dramas, the followers' way to enrich secular happiness and the onlookers' secular need. Unlike other literary works on secular life, Guo's drama gives secularization the meaning of individual liberation and freedom. |
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| Keywords: | Guo Shi-xing secularization "Trilogy of the Idlers" A Street of Vicious Talk |
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