| 论苏门的词学审美观念 |
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| 引用本文： | 周明秀.论苏门的词学审美观念[J].扬州教育学院学报,2003,21(1):7-11. |
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| 作者姓名： | 周明秀 |
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| 作者单位： | 华东师范大学,人文学院,上海,200062 |
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| 摘 要： | 《花间集》奠定了词学的传统审美规范 ,即情艳、辞雅、声谐。与《花间》审美传统相比 ,苏门词学审美观念发生了如下的变化 :“艳”的雅化 ,“雅”的深化 ,“谐”的淡化。苏门词学观呈现出明显的诗化倾向 ,他们特别重视词和词人的“不俗”。清新、高妙、自然这些诗学审美的范畴因而进入苏门的词学审美批评语境 ,成为苏门词论的特色所在
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| 关 键 词： | 艳 雅 谐 清新 高妙 自然 审美观念 |
| 文章编号： | 1008-6536(2003)01-0007-05 |
| 修稿时间： | 2002年9月8日 |
Sushi and His followers' Aesthetic Standard of Ci Poetry |
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| Zhou ming-xiu.Sushi and His followers' Aesthetic Standard of Ci Poetry[J].Journal of Yangzhou College of Education,2003,21(1):7-11. |
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| Authors: | Zhou ming-xiu |
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| Abstract: | the poetry criticism. ci poetry tonal patterns requirements, ci poetry content, and ci writer's quality, the Qing dynasty ci prosodists demonstrated the inevitable existence of "heroic and unconstrained" being a ci poetic style, and further discussed the artistic implication of the "heroic and unconstrained" poetic style. |
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| Keywords: | Haofang(Bold and Unconstrained) Aesthetic Standard Ci Poetry |
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