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世俗小叙事对历史大文化的消解——《故事新编》的历史重写策略及思想意蕴
引用本文:赵光亚,金银.世俗小叙事对历史大文化的消解——《故事新编》的历史重写策略及思想意蕴[J].安庆师范学院学报(社会科学版),2011(11):17-22.
作者姓名:赵光亚  金银
作者单位:无锡商业职业技术学院基础部
基金项目:江苏省教育厅2008年度高校哲学社会科学基金指导项目(08SJD7500031)
摘    要:世俗化是鲁迅《故事新编》对历史文本重写的独特处理方式,也是他透视中国历史文化的独特视角。鲁迅将那些具有文化原点意义、被历代典籍不断复写而神圣化了的神话、历史人物,从其赖以生存的文化环境中剥离出来,放逐到世俗的语境中进行勾勒;在这一过程中,世俗意识形态中的"物质"成为神圣们"降落人间"的重要"着陆点",世俗场景中的"围观"成为他们"降落"后时时面临的尴尬处境,这些都顺理成章地成为鲁迅重写历史的着力点,并由此实现对传统文化精英及历史原典的层层阻击,从而还原被遮蔽的历史本相。

关 键 词:《故事新编》  世俗  历史  文化  物质  围观

Secular Narrative Deconstruction of Major Historical Culture:Historical Rewriting Strategy and Ideological Implication of New Stories
ZHAO Guang-ya,JIN Yin.Secular Narrative Deconstruction of Major Historical Culture:Historical Rewriting Strategy and Ideological Implication of New Stories[J].Journal of Anqing Teachers College(Social Science Edition),2011(11):17-22.
Authors:ZHAO Guang-ya  JIN Yin
Institution:(Elementary Education Department,Wuxi Institute of Commerce,Wuxi 214153,Jiangsu,China)
Abstract:Secularization is LU Xun’s peculiar way of rewriting strategy his New Stories and reveals his unique observations on Chinese history and culture.He stripped the rewritten scared myths and historical figures with originally cultural meaning from their cultural environment.They are described in the secular context.In the process,"matter" in the secular ideology has become the "landing places" for saints."Watching" in the secular scene has been the embarrassing occasion they have to face.All of these are naturally the focus in LU Xun’s rewriting the history for his purpose of tracing traditional cultural elites and historical truth and restoring history.
Keywords:New Stories  secular  history  culture  matter  watching
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