| 论民歌的沉寂 |
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| 引用本文： | 王雅琴.论民歌的沉寂[J].哈尔滨学院学报,2007,28(2):110-114. |
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| 作者姓名： | 王雅琴 |
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| 作者单位： | 扬州大学,文学院,江苏,扬州,225002 |
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| 摘 要： | 民歌是中华民族传统文化中最具代表性、最有鲜活感的艺术形式之一,也是中国文化中最具世界性的元素之一.然而,随着社会的进步、时代的变化、生活方式的巨大变化,民歌在当代渐趋于沉寂状态.文章从民歌的自身特点变化、审美主体变化以及商品经济和社会的转型对民歌的影响等方面分析民歌在当代沉寂的原因.
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| 关 键 词： | 民歌 沉寂 审美 社会环境 传播途径 |
| 文章编号： | 1004-5856（2007）02-0110-05 |
| 修稿时间： | 2006-04-03 |
On Dreariness of the Folk Song |
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| WANG Ya-qin.On Dreariness of the Folk Song[J].Journal of Harbin University,2007,28(2):110-114. |
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| Authors: | WANG Ya-qin |
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| Institution: | Yangzhou University, Yangzhou 225002, China |
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| Abstract: | Folk song is one of the most representative, freshest artistic forms in Chinese traditional culture, and also is the most cosmopolitan element. However as the development of the society, change of times, and various ways of life of modem people, folk songs tend to be dreariness in the contemporary era. This article tries to analyze the reasons of dreariness from the change of the features of itself, taste of people, and the influence of market economy and transfer of society. |
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| Keywords: | folk song dreariness aesthetics circumstance of society transmission channel |
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