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理念·原欲·存在——女性叙事的循环论
引用本文:胡鹏林.理念·原欲·存在——女性叙事的循环论[J].四川师范大学学报(社会科学版),2004,31(1):81-86.
作者姓名:胡鹏林
作者单位:湖北师范大学,中文系,湖北,黄石,430079
摘    要:女性叙事在20世纪八九十年代达到顶峰,而综观20世纪女性文学的发展,其叙事无不是遵循着理念/原欲/存在的循环论机制,只是在各个不同的阶段有不同的侧重点而已.这种循环论的叙事方式,从追寻一种生命体验和文化立场(理念)出发,经过以血代墨的躯体叙事(原欲的呈现),企图颠覆现实的生存状态(叩问历史存在),最后又回归生命/文化的理念层面.女性叙事作为一种边缘化的写作状态,在形而上的理念的关照下,经受形而下的原欲和现实的磨练和洗礼,最终螺旋式地促进理念的提升,从而使女性文学从文化的边缘向中心靠近.

关 键 词:女性叙事  理念  原欲  存在  循环论
文章编号:1000-5315(2004)01-0081-06
修稿时间:2003年6月25日

Cycle Theory of Female Narrative
HU Peng-lin.Cycle Theory of Female Narrative[J].Journal of Sichuan Normal University(Social Science Edition),2004,31(1):81-86.
Authors:HU Peng-lin
Abstract:A comprehensive survey of the development of the 20th centure female literaturereveals the fact that female narrative, which reaches its climax in the 80's and 90's, all follows the cycle theory mechanism of idea, desire and existence, but with different stresses on different stages. It starts from pursuit of a life experience and cultural stand (idea), goes through body narrative with blood for ink (presence of desire), attempts of overthrow the actual living existence (inquiry of historical existence), and finally returns to idea of life/culture.Female narrative, a marginal writing state, is attended to by metaphysical ideas, goes through substantial tribulation and test of desire and reality, and finally promotes a spiral upgrade of idea, and thus causes female literature to movefrom margin to centre.
Keywords:female narrative  idea  desire  existence  cycle theory
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