| 诗意地栖居：一种乌托邦的想象 |
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| 引用本文： | 王春苗.诗意地栖居：一种乌托邦的想象[J].江苏广播电视大学学报,2013(1):69-72. |
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| 作者姓名： | 王春苗 |
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| 作者单位： | 鲁东大学文学院 |
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| 摘 要： | 德国存在主义哲学家马丁·海德格尔引用荷尔德林的诗句，并将其中的“诗意地栖居”界定为“与诸神共在，接近万物的本质”。在他看来，在大地上诗意地栖居是一种与技术性栖居艰难抗争的本真栖居。他将挽救社会异化的希望寄托于诗性艺术，然而，技术与艺术本身的矛盾性表明“诗意地栖居”只是一种乌托邦的想象，不具有可行性。
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| 关 键 词： | 海德格尔 诗意地栖居 艺术 技术 |
Poetic Habitation:Just A Utopian Imagination |
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| WANG Chun-miao.Poetic Habitation:Just A Utopian Imagination[J].Journal of Jiangsu Radio & Television University,2013(1):69-72. |
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| Authors: | WANG Chun-miao |
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| Institution: | WANG Chun-miao/Ludong University |
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| Abstract: | Martin Heidegger, a German existentialism philosopher, quotes a poem by Holderlin and defines its ＂ poetic habita- tion＂ as ＂existing with the gods and close to the essence of all things＂. In his opinion, poetic habitation in the earth is a natural living which resists technical living. He lays all his hope of preventing society alienation on poetic art. However, the contradic- tion between technology and art indicates that poetic habitation is just a utopian imagination without feasibility. |
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| Keywords: | Heidegger poetic habitation art technology |
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