| 男诗人:女性话语的深化者——唐代宫怨诗创作主体考察之二 |
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| 引用本文： | 吴雪伶.男诗人:女性话语的深化者——唐代宫怨诗创作主体考察之二[J].洛阳师范学院学报,2009,28(6):102-106. |
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| 作者姓名： | 吴雪伶 |
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| 作者单位： | 洛阳师范学院,文学院,河南,洛阳,471022 |
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| 摘 要： | 唐代宫怨诗以作者身份看,大致可以分为两类:女诗人的自我抒发与男诗人的代言之作。男诗人的代言之作构成了唐代宫怨诗的主要部分。这些男诗人的宫怨诗从内容上可分为宫人之怨、政治失意之怨、外嫁之怨等三类,多采用代言体的形式,其双重的心理机制使他们的宫怨诗并未与女诗人的宫怨诗有阻隔之感,反而深化了女性的话语特征,促使了女性主体的确立,强化了女性的社会性别角色,是唐代宫怨诗中最有文化价值与文学价值的部分。
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| 关 键 词： | 男诗人 宫女 公主 失意 文化 |
Male Poets:Deepener of Female Discourse-A Second Essay about the Poets of Tang Dynasty Imperial Palace Repining Poetry |
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| WU Xue-ling.Male Poets:Deepener of Female Discourse-A Second Essay about the Poets of Tang Dynasty Imperial Palace Repining Poetry[J].Journal of Luoyang Teachers College,2009,28(6):102-106. |
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| Authors: | WU Xue-ling |
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| Institution: | WU Xue-ling ( College of Chinese Language and Literature, Luoyang Normal University, Luoyang 471022, China) |
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| Abstract: | Categorized by the identity of poets, Tang Dynasty Imperial Palace Repining Poetry can be classified into female poets＇ self-expression and male poets＇ representation. The latter represents the majority of Tang Dynasty Imperial Palace Repining Poetry. These male poets＇ poems can be categorized into the repining words from a person in the imperial palace, complaints about political career failure, and those about being married out of the imperial palace. A deputy discourse style is that of these poems, which are enabled by a dual psychological pattern not to get in the way of the female poetry, but instead deepen the characteristics of female discourse, help establish female identities, and fortify female gender roles. They are of the most cultural value and literary value among Tang Dynasty Imperial Palace Repining Poems. |
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| Keywords: | male poet palace maid princess frustration culture |
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