| 论道教“自然无为“与中国建筑的艺术美 |
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| 引用本文： | 饶春球.论道教“自然无为“与中国建筑的艺术美[J].郧阳师范高等专科学校学报,2002,22(1):23-26. |
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| 作者姓名： | 饶春球 |
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| 作者单位： | 郧阳师范高等专科学校,学报编辑部,湖北,丹江口,442700 |
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| 摘 要： | 以老庄为代表的道家天道自然观和守己无为的人生哲学 ,通过对人们的宇宙观、人生哲学、思维方式、审美理想及表现手法的影响 ,使我国古代建筑避免了西方实对摹仿的模式 ,而升华为生态性的艺术美典型
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| 关 键 词： | 自然无为 建筑 艺术美 |
| 文章编号： | 1008-6072(2002)01-0023-04 |
| 修稿时间： | 2001年9月10日 |
On "Quietude& Inaction" in Taoism and Chinese Architecture |
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| RAO Chun-qiu.On "Quietude& Inaction" in Taoism and Chinese Architecture[J].Journal of Yunyang Teachers College,2002,22(1):23-26. |
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| Authors: | RAO Chun-qiu |
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| Abstract: | The outlook on heavenly laws and philosophy of quietude and inaction, typical of such Taoists as Laozi and Zhuangzi, helps Chinese architecture to avoid imitation pattern of the west and to sublime into the representative of the ecologically artistic aesthetics through its influence on people's outlook on the world, philosophy of life, modes of thinking, tastes of aesthetics and ways of presentation. |
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| Keywords: | quietude & inaction architecture artistic aesthetics |
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