| 论钢琴小曲 |
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| 引用本文： | 田俊.论钢琴小曲[J].怀化学院学报,2000(3). |
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| 作者姓名： | 田俊 |
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| 作者单位： | 怀化师专音乐系!湖南怀化418008 |
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| 摘 要： | 钢琴小曲在钢琴作品中占有很多而又很重要的部分 ,它们的主要创作多取于民间民族素材 ,故而主题个性强 ,具有独特的风味。在创作手法上多以二段体和三段体形成 ,特别是带再现的三段体最为多见。作为师范院校的钢琴教学 ,所接触的作品几乎全是钢琴小曲 ,故而我们对于这一类钢琴小型作品要多加以研究 ,使学生很快的接受它们 ,了解它们 ,完成它们 ,表现它们。
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| 关 键 词： | 小曲 三段体 民族素材 |
On Lyric Piano Works |
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| TIAN Jun.On Lyric Piano Works[J].Journal of Huaihua University,2000(3). |
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| Authors: | TIAN Jun |
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| Abstract: | Extracts from lyric play an important role in prano teaching This kind of piece is derived from folk sohgs or its sourles can often be traced back to national stories,so it has a strong character and distinctive flavour Lyric works for piano are made up of two or three,but usuall three movements,At college,nost piano teaching material is taken from this geure,so students are encouraged to studyit,learn to understand it and finally to interpret it and play it themselves |
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| Keywords: | folk style piano works three movements nationalist pieces for piano |
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