| 宛梆花腔的声乐解读 |
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| 引用本文： | 乔新建,周咏.宛梆花腔的声乐解读[J].南阳师范学院学报,2004,3(11):77-79. |
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| 作者姓名： | 乔新建 周咏 |
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| 作者单位： | 南阳师范学院,音乐系,河南,南阳,473061 |
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| 摘 要： | 宛梆花腔的艺术特色来源于它特有的机能状态。传统的花腔唱法蕴含着宝贵的经验，也存在理论的误区。花腔训练要纳入现代声乐技法的范畴，步入声乐科学的新境地。
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| 关 键 词： | 宛梆花腔 声乐技法 戏曲 声乐文化 |
| 文章编号： | 1671-6132(2004)11-0077-03 |
| 修稿时间： | 2003年9月30日 |
The Interpretation of the Vocal Music of the Nanyang Opera's False Voice Singing |
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| QIAO Xin-jian,ZHOU Yong of Music,Nanyang Teachers' College,Nanyang,Henan ,China.The Interpretation of the Vocal Music of the Nanyang Opera''''s False Voice Singing[J].Journal of Nanyang Teachers College,2004,3(11):77-79. |
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| Authors: | QIAO Xin-jian ZHOU Yong of Music Nanyang Teachers' College Nanyang Henan China |
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| Institution: | QIAO Xin-jian,ZHOU Yong of Music,Nanyang Teachers' College,Nanyang,Henan 473061,China) |
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| Abstract: | The artistic characteristics of Nanyang Opera' False Voice Singing originate from its special working conditions. The traditional false voice singing contains the valuable experience. However, there are some misunderstandings in theory. In order to enter the stage of the science of the vocal music, the false voice singing training need be categorized into the modem vocal music techniques. |
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| Keywords: | opera false voice singing vocal music techniques vocal music culture |
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