| 提高手风琴舞台表演的几点思考 |
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| 引用本文： | 赵亚伟.提高手风琴舞台表演的几点思考[J].科教文汇,2011(24):205-206. |
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| 作者姓名： | 赵亚伟 |
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| 作者单位： | 丽江师范高等专科学校艺术系,云南丽江,674100 |
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| 摘 要： | 手风琴演奏者如何展示舞台演奏风格、表演水平和自身风采,是手风琴演奏者综合音乐素质和演奏技术的具体体现。它不是靠单方面的知识就能完成的多元艺术。就是成熟的手风琴演奏者,也往往因一时找不到投入的演奏感觉而严重影响了手风琴的舞台表演质量。归纳起来主要问题表现在：一是精力不集中,注意力没有全部投入到手风琴演奏和乐曲的内在情感中;二是受舞台等外界环境的影响,一时产生慌乱心里,分散了自己的注意力和感情投入;三是对所演奏乐曲的背景、主题、内容理解得不深不透,没有与其产生共鸣,化为自己心中应有的音乐形象,未真正出神入化地进入音乐艺术境界;四是自己的演奏技术和技巧还有断层和欠账,满足不了演奏乐曲艺术要求的舞台表现和应变能力,尚未达到炉火纯青的熟练程度和表演水平。
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| 关 键 词： | 手风琴 舞台表演 思考 |
Some Reflections on How to Make a Wonderful Acco-rdion Stage Performance |
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| Authors: | Zhao Yawei |
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| Institution: | Zhao Yawei Arts Department of Lijiang Teachers College,674100,Lijiang,Yunnan,China |
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| Abstract: | How an accordion player present his style of stage performance,level of performance ability and his graceful bearing specifically embodies the player＇s comprehensive musical quality and his performance skill.It is a multielement art cannot be achieved merely by one-sided knowledge.And it has a crucial influence on the quality of accordion stage performance.To sum up,the following aspects are the main problems existing in accordion stage performance for a player：a state of abstraction;the interventions from out of the stage;a rusty understanding of the music to be played;bad stage presence skills. |
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| Keywords: | accordion stage performance reflections |
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