| 屈原作品爱情内容的文化背景和文化内涵 |
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| 引用本文： | 张学君.屈原作品爱情内容的文化背景和文化内涵[J].辽宁师范大学学报(社会科学版),2011,34(1):67-70. |
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| 作者姓名： | 张学君 |
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| 作者单位： | 北京教育学院,中文系,北京,100120 |
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| 摘 要： | 屈原作品中包含大量的爱情内容,它们向来多被视为芳草美人的比兴寄托手法,这在一定程度上影响了对屈原作品的准确解读。从某种意义上讲,这些爱情描写就是爱情本身,它们与深厚的楚文化背景有着密切的关系。具体说来,楚风的开放性是《九歌》产生的社会基础,而楚风的女性化影响了《离骚》中的爱情模式。屈原的伟大在于,他完成了恋爱关系的转换与升华,使爱情成为政治文化的一个特殊符号。
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| 关 键 词： | 爱情 楚风 女性化 |
The Cultural Background and Connotation of the Love Stories in Quyuan's Works |
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| ZHANG Xue-jun.The Cultural Background and Connotation of the Love Stories in Quyuan's Works[J].Journal of Liaoning Normal University(Social Science Edition),2011,34(1):67-70. |
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| Authors: | ZHANG Xue-jun |
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| Institution: | ZHANG Xue-jun(Department of Chinese,Beijing College of Education,Beijng,100120,China) |
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| Abstract: | In Quyuan＇s works the love stories are often regarded as a figurative expression of the spirit of ＂meadows and beauties＂,which actually hinders the accurate interpretation of his masterpieces.In some sense these love stories are the love itself,which are closely related to the culture of Chu.To be specific,openness of Chu Spirit provides a social foundation for Nine Odes,while feminization of Chu Spirit influences the love modes of Lisao.Such transformation and sublimation of love show the greatness of Quyuan,who renders love to be a special sign of political culture. |
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| Keywords: | love Chu Spirit feminization |
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