| 艺术制度论的再度阐释与反思 |
| |
| 引用本文： | 邓文华.艺术制度论的再度阐释与反思[J].五邑大学学报(社会科学版),2010,12(2):38-41. |
| |
| 作者姓名： | 邓文华 |
| |
| 作者单位： | 南方医科大学,外国语学院,广东,广州,510515 |
| |
| 摘 要： | 20世纪60年代以后所涌现的先锋派艺术从根本上否定了传统的艺术观念，也带来了美学的转向，分析美学对艺术作出了制度性的定义。艺术的制度论一方面迎合先锋派艺术，缺乏批判性;另一方面自身也存在理论困境，难以充分说明艺术的本质。对艺术制度论不可盲目接受，而要作出批判性回应。
|
| 关 键 词： | 分析关学 艺术制度论 艺术概念 审美经验 |
A Re-interpretation of and Reflection on Art Institutionalism |
| |
| DENG Wen-hua.A Re-interpretation of and Reflection on Art Institutionalism[J].Journal of Wuyi University(Social Sciences Edition),2010,12(2):38-41. |
| |
| Authors: | DENG Wen-hua |
| |
| Abstract: | The avant-garde art emerging after the 1960s fundamentally rejects traditional artistic concepts and has caused a shift of direction for aesthetics;analytical aesthetics gives an institutional definition to art.Art institutionalism,on the one hand,caters to the avant-garde art and lacks criticism;on the other hand,it is itself in theoretical difficulties and is not able to fully explain the essence of art.Art Institutionalism cannot be blindly accepted and should be given a critical response. |
| |
| Keywords: | analytical aesthetics art institutionalism artistic concepts aesthetic experience |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
