| 试论中国画的写实观 |
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| 引用本文： | 王颖.试论中国画的写实观[J].绵阳师范学院学报,2005,24(6):56-58,62. |
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| 作者姓名： | 王颖 |
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| 作者单位： | 绵阳师范学院美术系,四川,绵阳,621000 |
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| 摘 要： | 任何一种富于民族独特精神内质的艺术，在其发展与繁荣的历史性征程中都必定受到他这个民族的历史文化、哲学意识、宗教思想以及艺术观念、美学理念等的深刻影响，这既是艺术演进的规律，又是艺术成熟的根本。在中国画的历史演变中，就深受庄子哲学思想的影响，它不仅直接反映在画论价值取向和审美观念上，而且表现在艺术技法方面。庄子哲学思想的内核是道法自然，因此，中国画对人或自然的艺术表现，是基于第一自然，又成于第二自然：中国画的写实观，也就是师法于自然，又超越于自然。
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| 关 键 词： | 思想基础 影响 修养过程 写实观 |
| 文章编号： | 1672-612x（2005）06-0056-03 |
| 收稿时间： | 09 12 2005 12:00AM |
| 修稿时间： | 2005-09-12 |
On the Realistic View of Chinese Painting |
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| WANG Ying.On the Realistic View of Chinese Painting[J].Journal of Mianyang Normal University,2005,24(6):56-58,62. |
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| Authors: | WANG Ying |
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| Institution: | Department of Fine Arts, Mianyang Normal University, Mianyang, Sichuan 621000 |
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| Abstract: | Any kind of art with national peculiar spirit,in the historical course of its development and prosperity, is influenced by its national history and culture, sense of philosophy, religious thought, artistic concept, aesthetic idea, etc. It is the principle of artistic evolution and the root of artistic maturity. In the development of Chinese painting, the profound influence from Zhuang Zi's philosophic thought is not only reflected in the choice of painting value and the aesthetic concept hut also in artistic skills. The core of Zhuang Zi' s philosophic thought is being natural. Therefore, the artistic expression of people or nature is based on the first nature, and it becomes the second nature. The realistic view of Chinese painting is being natural, and it exceeds being natural. |
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| Keywords: | thinking base influence cultivating course realistic view |
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