| 少数民族文化遗产:消费时代的审美再生产 |
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| 引用本文： | 杨毅.少数民族文化遗产:消费时代的审美再生产[J].洛阳师范学院学报,2013,32(4):27-31. |
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| 作者姓名： | 杨毅 |
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| 作者单位： | 武汉大学文学院,湖北武汉,430072 |
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| 摘 要： | 当下,少数民族文化遗产从前消费时代走进消费时代,从一种博物馆馆藏的保存方式逐步向产业化转换,这种转换是商品社会的一种社会认同。同时,少数民族文化遗产审美体验的流行,也带动了相关产业的发展。少数民族文化遗产本身所具有的地方性特征与现代性造成的同质化文化形成了巨大的差异,并且在审美性与历史性的人文观照中实现自身独特而新奇的意义体验。这将促使我们进一步思考少数民族文化遗产进入消费时代后的保护策略和原则。
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| 关 键 词： | 消费时代 少数民族文化遗产 地方性 审美体验 产业化 |
Minority Cultural Heritage: the Aesthetic Reproduction in Consumption Age |
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| YANG Yi.Minority Cultural Heritage: the Aesthetic Reproduction in Consumption Age[J].Journal of Luoyang Teachers College,2013,32(4):27-31. |
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| Authors: | YANG Yi |
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| Institution: | YANG Yi (College of Chinese Language and Literature,Wuhan University,Wuhan 430072,China) |
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| Abstract: | Nowadays,the minority cultural heritage has been developed from the pre-consumption age into the consumption age,from the preservation of museum collection to the conversion of industrialization,this transformation is a kind of commodity social identity.Meanwhile,the popularity of the aesthetic experience of the minority cultural heritage also contributes to the development of relevant industries.The local characteristics of minority cultural heritage and the modernity homogenization by culture formed a huge difference,and they brought the aesthetic and historical humanistic care through the significance of unique and novel experience.This will promote us further investigate the protection of minority cultural strategy and principles in the consumption. |
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| Keywords: | consumption age minority cultural heritage locality the aesthetic experience industrialization |
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