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《文艺阵地》对抗战时期文学论争的介入及其理论建构
引用本文:熊飞宇.《文艺阵地》对抗战时期文学论争的介入及其理论建构[J].承德师专学报,2011,31(1):20-23.
作者姓名:熊飞宇
作者单位:重庆师范大学,重庆市抗战文史研究基地,重庆,400047
摘    要:抗战时期,社会的剧变,对于新文学的发展和变革提出新的要求,具体而言,主要体现在两个方面:一是现实主义,二是文艺大众化、旧形式和民族形式。其中有关现实主义的讨论是基于文学与时代的关系,而文艺大众化,则指向文学与人民的关系。《文艺阵地》是茅盾主编的一份大型的综合性文学刊物。对于上述问题,都曾积极介入并展开充分的探讨和争鸣,极大地丰富了抗战时期的文学理论。

关 键 词:《文艺阵地》  现实主义  文艺大众化  旧形式  民族形式

The Debates on Literature and Theoretical Construction In The Front of Literature and Art during the Anti-Japanese War
Xiong Feiyu.The Debates on Literature and Theoretical Construction In The Front of Literature and Art during the Anti-Japanese War[J].Journal of Chengde Teachers College for Nationalities,2011,31(1):20-23.
Authors:Xiong Feiyu
Institution:Xiong Feiyu(Chongqing Research Centre of Literature and History during the Anti-Japanese War,Chongqing Normal University,Chongqing 400047,China)
Abstract:During the Anti-Japanese War,the great changes of the society make new requirements for the development and reform of New Literature,specifically in two terms: firstly,realism;secondly,popularization of literature and art,traditional and national form.The debates on realism are based on the relationship between literature and times,and the popularization of literature and art refers to the relationship between literature and the people.The Front of Literature and Art is a voluminous comprehensive literary j...
Keywords:The Front of Literature and Art  realism  popularization of literature and art  traditional form  national form  
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