| 简论1920年代的神怪电影 |
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| 引用本文： | 欧孟宏.简论1920年代的神怪电影[J].涪陵师范学院学报,2009,25(4). |
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| 作者姓名： | 欧孟宏 |
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| 作者单位： | 武汉大学,艺术系,湖北,武汉,430072 |
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| 摘 要： | 作为第一次商业电影浪潮中涌现出来的一种独特的电影类型,1920年代神怪电影的大量出现与早期中国电影创作的内在发展规律、传统神怪文化以及电影技术的发展休戚相关.奇异险怪是是神怪片突出的审美标志,它赋予神怪片以赏心悦目的审美价值.20年代兴起的神怪电影创造了市场奇迹,给当时处于艰难处境的中国影片公司提供了出路,也为早期中国电影技术的发展作出了突出贡献.但神怪片对早期中国电影所起的负面作用也是显而易见的,这决定了它只能昙花一现.
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| 关 键 词： | 神怪电影 神怪文化 奇异险怪 贡献 负面作用 |
On the Genie Movie in the 1920s |
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| OU Meng-hong.On the Genie Movie in the 1920s[J].JOurnal of Fuling Teachers College,2009,25(4). |
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| Authors: | OU Meng-hong |
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| Institution: | OU Meng-hong(Art Department,Wuhan University,Wuhan,Hubei 430072,China) |
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| Abstract: | As a unique type of film which appeared in the commercial wave,the emergence of the genie movie in 1920s was closely related to the intrinsic law of the early movie creation,the traditional genie culture and the development of film technology.Fantastic monster was the aesthetical symbol of the genie movie,which bestowed a pleasant aesthetical value on genie movie.The genie movie that arose in 1920s created a market wonder,providing an outlet for China's film companies which were in hard situation at that ti... |
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| Keywords: | genie movie genie culture oddity and strangeness contribution negative effect |
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