| 民俗摄影的生态美学意义 |
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| 引用本文： | 范秀娟.民俗摄影的生态美学意义[J].柳州师专学报,2009,24(1):1-4. |
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| 作者姓名： | 范秀娟 |
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| 作者单位： | 广西民族大学,文学院,广西,南宁,530006 |
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| 基金项目： | 广西民族大学重点项目 |
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| 摘 要： | 民俗摄影的崛起不仅是一个技术事件,也是一个文化事件,它反映了在全球化和后现代语境中,艺术想要表现和记录代表民族性和地域性的传统习俗。在生态美学的观念中,“民族性和地域性的传统习俗”是关乎文化生态和谐和人类自身和谐的重要文化事项,是人类文化多样性的表现,其中包含着人类重要的生态智慧和生存智慧。因此,民俗摄影与生态美学有内在的密切关联,民俗摄影具有生态美学的意义：民俗摄影中的“民俗”是包含着生态意义的审美对象;民俗摄影的成就说明,“文化多样性”是民俗摄影的生态审美尺度。
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| 关 键 词： | 民俗摄影 生态美学 文化多样性 |
Eco-aesthetic Meaning of Folk Photography |
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| FAN Xiu-juan.Eco-aesthetic Meaning of Folk Photography[J].Journal of Liuzhou Teachers College,2009,24(1):1-4. |
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| Authors: | FAN Xiu-juan |
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| Institution: | Department of Chinese Language and Literature;Guangxi University for Nationalities;Nanning;Guangxi 530006;China |
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| Abstract: | The rising of folk photography is not only a technical event,but also a cultural one,reflecting the traditional customs that represent national and regional features recorded by arts in the current global and post-modern context.In the idea of eco-aesthetic,"traditional national and regional customs" is an important cultural event in relation with cultural ecological harmony and harmony among human beings,and is the presentation of human cultural diversity,containing important human ecologic wisdom and livi... |
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| Keywords: | folk photography eco-aesthetics cultural diversity |
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