| 简论品特的戏剧创作和思想特点 |
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| 引用本文： | 郑贤军.简论品特的戏剧创作和思想特点[J].泉州师范学院学报,2007,25(3):77-81. |
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| 作者姓名： | 郑贤军 |
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| 作者单位： | 泉州师范学院,外国语学院,福建,泉州,362000 |
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| 摘 要： | 哈罗德.品特的戏剧,特别是早期的剧本大多表现了人在这个世界上所受到的外来的威胁,他通过戏剧作品表达出自己对于人的生存状态的感悟。品特认为人的生存恐惧不是抽象的东西,而是实实在在存在的,几乎每天都发生的事情,这就是品特作为戏剧家的戏剧思想核心。这种戏剧思想很大程度上来自于荒诞派戏剧思想的影响,特别是贝克特和卡夫卡等荒诞派剧作家的影响,以及他的家庭和生活背景的影响。
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| 关 键 词： | 品特 戏剧思想 威胁 |
| 文章编号： | 1009-8224（2007）03-0077-05 |
| 修稿时间： | 2006-11-23 |
On Pinter's Drama View of Menace |
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| ZHENG Xian-jun.On Pinter''''s Drama View of Menace[J].Journal of Quanzhou Normal College,2007,25(3):77-81. |
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| Authors: | ZHENG Xian-jun |
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| Institution: | ZHENG Xian-jun |
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| Abstract: | Harold Pinter has his own point of view about the modern drama writing and his plays expresses his reflection of man's existence.He believed that man's fear of existence is not an abstract concept,but a real existence and it happens everyday,which constites the core of Pinter's view of drama.To a great extent,this view came from the influence of absurdist idea and of Pinter's family and social background,sepecially from the background of a Jewish boy from the East district of London and from a Jew's own suffering from the cruel oppression in Europe during World WarII. |
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| Keywords: | Pinter view of drama menace |
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