| 试论新世纪以来港陆喜剧电影类型与风格的异同 |
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| 引用本文： | 陈鸿秀.试论新世纪以来港陆喜剧电影类型与风格的异同[J].连云港教育学院学报,2014(2):99-104. |
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| 作者姓名： | 陈鸿秀 |
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| 作者单位： | 淮阴师范学院文学院,江苏淮安223300 |
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| 基金项目： | 淮阴师范学院高级别科研项目培育基金“华语喜剧电影发展研究（1978-2010）”（项目编号i11HSGJBS03） |
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| 摘 要： | 进入新世纪以来，大陆和香港两地的喜剧片在题材类型与风格基调上有异有同。类型之异主要表现为：战争喜剧和民工喜剧是体现内地特色的题材类型，警匪喜剧和合家欢式市井喜剧是港式传统喜剧类型的延续；风格之异主要体现在：大陆一批喜剧片染有“黑色幽默”“冷幽默”色调，香港喜剧片擅长无厘头恶搞。两者的差异与各自的历史政治背景、地域位置、文化观念等因素有关。同时两地均拍摄有轻喜剧与爆笑两种风格的都市爱情喜剧；都创作有喜中含悲的小人物“悲喜剧”；奇幻喜剧、穿越喜剧与“黑色”喜剧片等片种均传达出某种荒诞性审美特征。两者的相似处说明处于同一时代的港陆电影在创作者的交流合作中相互影响、相互渗透。
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| 关 键 词： | 香港 喜剧电影 类型 风格 |
On the Differences between the Types and Styles of Comedies in Hong Kong and Mainland since the New Century |
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| Authors: | CHEN Hong-xiu |
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| Institution: | CHEN Hong-xiu (School of Liberal Arts, Huaiyin Normal University, Huai＇an 223300, China) |
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| Abstract: | Since the new century, comedies in the mainland and Hong Kong have borne similarities and differences on subject types and style keynotes. The type differences mainly lie in： war comedies and civilian workers comedies are the subject types which reflect mainland characteristics; crime comedies and household marketplace life comedies are the extension of Hong Kong＇ s traditional comedies. The style differences mainly lie in： a batch of comedies in mainland is of ＂black humor＂ or ＂cold humor＂ ; comedies in Hong Kong do well in ＂Wulitou＂ spoof. The differences between the two result from their own historical and political context, locations and cultural values and so on. Meanwhile, the two places both have urban roman- tic comedies in the style of light comedy and laugh - out-loud funny. The tragicomedies that include nobodies also exist in both places. Fantastic comedies, time- travel comedies and ＂black＂ comedies all convey certain absurd aesthetic features. The similarities in comedies from mainland and Hong Kong show that at the same time, movies from mainland and Hong Kong interplay and interpenetrate during the communication among creators. |
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| Keywords: | mainland Hong Kong comedy type style |
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