| 从造境到纪实：废名禅味小说艺术嬗变 |
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| 引用本文： | 夏元明.从造境到纪实：废名禅味小说艺术嬗变[J].云南师范大学学报(哲学社会科学版),2001,33(5):95-99. |
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| 作者姓名： | 夏元明 |
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| 作者单位： | 黄岗师范学院中文系湖北黄岗 438000 |
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| 摘 要： | 废名小说以其深厚的佛禅意趣,可以称之为禅味小说。废名的禅味小说可以分为前后两个阶段。前期以《桥》为代表,特点是造境,追求的是趣味;后期以《莫须有先生坐飞机以后》为代表,特点是纪实,追求的是“真理”。前期空灵,后期质实,各具风采。
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| 关 键 词： | 废名 禅味小说 造境 纪实 文学说论 《桥》 《莫须有先生坐飞机以后》 艺术特色 |
| 文章编号： | 1000-5110(2001)05-0095-05 |
| 修稿时间： | 2001年5月21日 |
From constructed mood to the record of actual event:An artistic change of the
Buddhist-tasting stories of Fei Ming |
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| XIA Yuan-ming.From constructed mood to the record of actual event:An artistic change of the
Buddhist-tasting stories of Fei Ming[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2001,33(5):95-99. |
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| Authors: | XIA Yuan-ming |
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| Abstract: | With a liking for Buddhism, Fei Ming's stories can be called Buddhist-tasting stories They are divided into two periods. The early ones represented by "The Bridge" are artistically characterized by constructed mood and the pursuit of taste, while the late ones represented by "Mr Moxuyou Travels by Air" are distinguished by recording actual events and the pursuit of truth. So, the early stories are free and natural in style and the late ones are realistic and simple. Both are artistically graceful. |
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| Keywords: | Fei Ming Buddhist-tasting story constructed mood record of actual events |
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