| 论中国花鸟画发展的永恒性 |
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| 引用本文： | 孔六庆.论中国花鸟画发展的永恒性[J].大连大学学报,2010,31(2):75-78. |
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| 作者姓名： | 孔六庆 |
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| 作者单位： | 南京艺术学院,江苏,南京,210013 |
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| 摘 要： | 中国文化内质的和平性,发生和发展了中国画艺术整体中的花鸟画。花鸟画的发生、发展能这么专心并经久不衰,除了中国历史连绵不断的悠久性作了保证外,中国文化的和平性深入了人们内心的这一点不容忽视。而人们的内心,选择了花鸟画作为了象征。这古老的画种至今仍处于方兴未艾的发展状态,实为中国文化的和平性所决定。人类内心深处最服膺的,应是这种符合人性的艺术。
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| 关 键 词： | 中国花鸟画 中国文化的和平性 永恒性 |
On the Permanence of the Development of Chinese Bird and Flower Painting |
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| KONG Liu-Qing.On the Permanence of the Development of Chinese Bird and Flower Painting[J].Journal of Dalian University,2010,31(2):75-78. |
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| Authors: | KONG Liu-Qing |
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| Institution: | Nanjing Arts Institute;Nanjing 210013;China |
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| Abstract: | The peacefulness as the immanent essence of Chinese culture cause the occurrence and development of the Bird and Flower Painting of the whole Chinese paintings.The reason why the development of Bird and Flower Painting can be so focused and enduring is that China's long successive history is its guarantee;besides,the peaceful nature of Chinese culture has reached inside people's heart which choose the Bird and Flower Painting as a symbol.This ancient painting form is still making progress which is indeed de... |
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| Keywords: | Chinese Bird and Flower Painting peacefulness in Chinese culture permanence |
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