| 安徒生“海的女儿”文学形象原型考析 |
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| 引用本文： | 唐均,杨天舒.安徒生“海的女儿”文学形象原型考析[J].湘潭师范学院学报(社会科学版),2001,23(6):86-90. |
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| 作者姓名： | 唐均 杨天舒 |
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| 作者单位： | 东北师范大学古典所 |
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| 摘 要： | 从神话意象上考察，安徒生童话《海的女儿》中的小美人鱼形象渊源于斯拉夫神话的水仙女。这一神话意象后来流传到阿尔卑斯山以北的欧洲主要民族中并借助置换变形衍生出近现代欧洲艺作品鲁萨尔卡、温蒂娜等艺术形象，她们共同揭示了这一神话意象在经历人有意识的再创作之后成为一种通过对意象中包含的关键母题“下凡”和“归仙”的阐发，从而表达再创作基于自身生活经历追求心目中至美理想和永恒的情感的精神寄托。
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| 关 键 词： | 安徒生 《海的女儿》 原型 水仙女 至美理想 童话 文学形象 丹麦 |
| 文章编号： | 1009-4482(2001)06-0086-05 |
| 修稿时间： | 2001年3月11日 |
An Analysis on Mythic Prototype and Literary Conception of the Heroine in H.C.
Andersen's The Little Mermaid |
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| Abstract: | The Little Mermaid figured in one of H.C. Andersen's fairy tales is deduced to come from the mythical image of Rusalka originally occurred in Slavonic mythology. This Slavonic image had been cloned throughout the transalpine Europeans. The typical for their images from literature and arts had been replaced by Rusalka and Undine. They are commonly indicative and as a matter of fact this mythic image is deliberately recomposed by writers and artists to illustrate the key motifs for a decency, therein for the sake of symbolizing the immortal ideal of pure beauty based on their individual practice and experience. |
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| Keywords: | H C Andersen The Little Mermaid prototype Rusalka motifs |
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