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后印象派“抽象美”的初创与主体意志的胜利
引用本文:胡安定,肖伟胜.后印象派“抽象美”的初创与主体意志的胜利[J].西南师范大学学报(人文社会科学版),2008,34(6):166-170.
作者姓名:胡安定  肖伟胜
作者单位:[1]四川大学文学与新闻学院,四川成都610064 [2]西南大学文学院,重庆市400715
基金项目:基金项目:教育部人文社会科学研究基金项目“视觉文化与图像意识问题研究”(06JA7501144085),项目负责人:肖伟胜;同家社会科学基金项目“‘文化转向’与视觉文化研究”(08CZW007).项目负责人:肖伟胜.
摘    要:后印象派在前印象派追求“光学现实主义”影响下.在对色的分解与综合的绘画实践中逐步形成“抽象荚”,这种依据艺术家内在的审美感觉逻辑所达成的“表现”美,表明了西方绘画首次出现了一个主体创造和主体表现的自足独立的艺术世界,彰显出主体自由意志在艺术创造中取得了胜利,并孕育了后来平面化构图的立体主义、抽象表现主义等艺术流派。

关 键 词:后印象派  光学现实主义  综合主义  抽象美  主体意志

Creation of Abstract Beauty in Post Impressionism and the Victory of the Subject Will
Institution:HU An-ding,XIAO Wei-sheng(1.College of Literature and Journalism,Sichuan University,Chengdu 610061,China;2.School of Literature,Southwest University,Chongqing 400715,China)
Abstract:The paper discusses how Post Impressionism, under the influence of the Impressionist optical realism has gradually evolved into a style ofahstract beauty through decomposing and synthesizing the color in their painting. Post Impressionist painters didn't imitate the nature but painted according to their inner aesthetic sense to ‘express beauty' in their creation. This shows thai for the first time in Western painting emerged an independent self-sufficient artistic world of subjective creation and subjective manifestation. This suggests the victory of the subject will in artistic creation, and gestates the later artistic schools like Cubism, Abstract Expressionism of plane composition.
Keywords:Post lmpressionism  optical realism  synthetism  abstract beauty : subiect will
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