| 论明清四大小说中死亡现象的审美差异 |
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| 引用本文： | 臧国书.论明清四大小说中死亡现象的审美差异[J].内江师范学院学报,2008,23(5):5-9. |
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| 作者姓名： | 臧国书 |
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| 作者单位： | 曲靖师范学院,中文系,云南,曲靖,655011 |
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| 摘 要： | 明清小说家把对生命价值的认识与追求融入小说文本中，使死亡现象变成建构小说艺术世界的重要基石。《三国演义》：死为不朽生崇高；《水浒传》：死为酣畅生愉悦；《金瓶梅》：死为纵欲生警示；《红楼梦》：死为无奈生怜悯。
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| 关 键 词： | 四大小说 死亡现象 审美差异 |
On Aesthetic Differences of Death Among the Four Classic Novels of Ming and Qing Dynasties |
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| ZANG Guo-shu.On Aesthetic Differences of Death Among the Four Classic Novels of Ming and Qing Dynasties[J].Journal of Neijiang Teachers College,2008,23(5):5-9. |
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| Authors: | ZANG Guo-shu |
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| Institution: | ZANG Guo-shu (Chinese Department, Qujing Normal University, Qujing, Yunnan, 655011) |
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| Abstract: | Novelists in Ming and Qing Dynasties mingled the cognition and pursuit of the life value into their novels, which makes the death become an important basis of constructing an artistic world of novel. Death means immortality and produces loftiness in Historical Novel of Three Kingdoms ; in Outlaws of the Marsh it is joviality and produces extreme merriness; it provides a warning for the people in the world in The Golden Lotvs ; and in Dreams of Red Mansions it is convulsion and remorse. |
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| Keywords: | novels of Ming and Qing Dynasties death aesthetic differences |
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