| 汉文化的语音精灵--谐音 |
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| 引用本文： | 孟昭泉.汉文化的语音精灵--谐音[J].台州学院学报,2003,25(1):21-25. |
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| 作者姓名： | 孟昭泉 |
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| 作者单位： | 台州学院,中文系,浙江,临海,317000 |
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| 摘 要： | 谐音,作为一种语音类聚,广泛存在于多种语言中。由于语音、社会、民族心理等因素,它在汉语中尤为充牣。谐音经过与汉文化的长期融合,逐渐产生了一种独特的文化现象——谐音修辞,并具有浓郁的民族性、时代性和地域性。
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| 关 键 词： | 谐音修辞 汉文化 客观基础 特色 |
| 文章编号： | 1007-1571(2003)01-0021-05 |
| 修稿时间： | 2002年11月18 |
Euphony-the Phonetic Quintessence of Chinese |
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| Meng Zhaoquan.Euphony-the Phonetic Quintessence of Chinese[J].Journal of Taizhou University,2003,25(1):21-25. |
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| Authors: | Meng Zhaoquan |
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| Abstract: | As a kind of sound collection, euphony appears in many languages, but because of the features of phonetics, social culture, and national mentality, it presents itself more in Chinese than any language else. After a long mingling with the Chinese culture, a special cultural phenomenon-a rhetoric device called euphony, has been created, which obviously carries the characteristics of nations, times and regions. |
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| Keywords: | euphony Chinese culture objective foundation characteristics |
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