| 中国传统山水画论中的生命美学 |
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| 引用本文： | 王燚.中国传统山水画论中的生命美学[J].洛阳师范学院学报,2010,29(4):113-116. |
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| 作者姓名： | 王燚 |
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| 作者单位： | 北京师范大学,价值与文化研究中心,北京,100875 |
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| 摘 要： | 中国传统山水画论蕴含着深厚的生命意味:首先是艺术家对自然山水的热爱并注入自己的情感,再通过移情的手法,使山水画形成自然人文化;其次是艺术家在与自然融合、与绘画共赏的品味中使精神得到升华,形成精神超越化;再次是艺术家通过绘画的鉴赏达到人与自然的和谐,让生活、生命更具有审美性,形成生命审美化。因此,我们要努力挖掘中国传统山水画论的这种审美精神和生命美学的内涵,以此来反思现代人本主义思想。
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| 关 键 词： | 自然 生命 审美精神 生命美学 |
The Life Aesthetics in the Theory of Chinese Traditional Landscape Painting |
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| WANG Yi.The Life Aesthetics in the Theory of Chinese Traditional Landscape Painting[J].Journal of Luoyang Teachers College,2010,29(4):113-116. |
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| Authors: | WANG Yi |
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| Institution: | WANG YI ( Value and Culture Center, Beijing Normal University, BeijinglO0875, China) |
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| Abstract: | The theory of Chinese traditional landscape painting contains profound meaning of life. Firstly, the artist loves the nature and landscape into which he pours his own emotions and makes them to be humanized. Secondly, the artist elevates himself and his spirit in the process of melting with the nature and enjoying painting. Thirdly, the artist achieves the harmony between human and nature through the appreciation of painting. Thus, life is endowed with sense of aesthetics. So we should strive to explore this aesthetic spirit and aesthetic meaning of life in traditional Chinese landscape painting in order to reflect on modern humanistic thought. |
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| Keywords: | landscape painting nature aesthetic spirit life aesthetics |
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