| 论戴望舒诗歌的艺术性 |
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| 引用本文： | 阎绍花.论戴望舒诗歌的艺术性[J].天津职业院校联合学报,2002,4(4):46-48. |
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| 作者姓名： | 阎绍花 |
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| 作者单位： | 天津市红桥区职工大学,天津市,300131 |
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| 摘 要： | 戴望舒是中国30年代“现代派” 著名诗人。在诗歌创作中,他重视抒写自己的内心世界,采用象征手法,将西方现代派诗歌技巧与中国传统诗歌意境有机地结合在一起。经过不断探索,逐渐形成了自己独特的艺术风格。
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| 关 键 词： | 戴望舒 《雨巷》 象征主义 散文化的艺术风格 |
| 文章编号： | 1009-2498(2002)04-0046-03 |
| 修稿时间： | 2002年2月26日 |
Dai Wangshu's Poem Art |
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| YAN Shao-hua.Dai Wangshu''''s Poem Art[J].Journal of Tianjin Vocational Institutes,2002,4(4):46-48. |
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| Authors: | YAN Shao-hua |
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| Abstract: | In 1930s, Dai Wangshu was a famous Chinese poet of modern style. He regarded to express his inner word in his creations. He adopted some rhetorical techniques, such as symbol, and combined the techniques of western modern poetry with the portrayed situation of Chinese traditional poetry well. With continuing advance, he formed the characteristic art style of himself. |
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| Keywords: | Dai Wangshu Raining Lane symbolism the style of prosaism |
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