| 元明戏曲语言美听论 |
| |
| 引用本文： | 吕文丽.元明戏曲语言美听论[J].山西师大学报,2000,27(4):67-71. |
| |
| 作者姓名： | 吕文丽 |
| |
| 作者单位： | 吕文丽（山西师范大学 中文系,山西 临汾 041004） |
| |
| 摘 要： | 明代王骥德论及戏曲音乐时,曾提出“美听”之说。元明戏曲语言之所以能形成“美听”的审美效果,关键在于根据音乐来确定文词,使文词的韵律符合音乐的旋律,使曲词具有韵律和节奏美,使宾白也具有同曲词一样的音乐特色。
|
| 关 键 词： | 美听 戏曲语言 |
| 文章编号： | 1001-5957(2000)04-0067-05 |
| 修稿时间： | 2000年5月9日 |
On The Therory of Beuatiful to Listen to in Yuan and Ming Operas |
| |
| LU Wen,Li.On The Therory of Beuatiful to Listen to in Yuan and Ming Operas[J].Journal of Shanxi Teachers University,2000,27(4):67-71. |
| |
| Authors: | LU Wen Li |
| |
| Abstract: | while discussing the music in traditional opera, wang jide in Ming Dynasty advanced the theory of \!beuatiful to listen to\". The traditional opera language in yuan and Ming Dynasties has so aesthetic an effect of \!beautiful to listen to\" just because the words of the traditional opera are selected according to its music so that the metres of the words accord with the melody of the music, the words selected have beauties in meters and crythms, and the monologues as well as the dialogues have the same musical charactristics as the words. |
| |
| Keywords: | Beautiful to listen to traditional opera language |
| 本文献已被 CNKI 等数据库收录！ |
|
