| 北京紫禁城建筑艺术的文化象征意义 |
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| 引用本文： | 彭红.北京紫禁城建筑艺术的文化象征意义[J].衡阳师范学院学报,2003,24(5):110-113. |
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| 作者姓名： | 彭红 |
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| 作者单位： | 衡阳师范学院,法学院,湖南,衡阳,421008 |
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| 摘 要： | 北京紫禁城是我国古典建筑艺术的最高典范,她不仅是我国灿烂的古代文化中的一件珍品,而且在人类文化史上也是有代表性的文物。其建筑艺术作为一种意识形态,暗含着丰富的传统文化底蕴,这就是我国古代文化中的天人合一、宗法礼制和阴阳五行。
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| 关 键 词： | 北京 紫禁城 建筑艺术 文化象征 天人合一 意识形态 文化创新 |
| 文章编号： | 1002-073X(2003)05-0110-04 |
| 修稿时间： | 2003年6月18日 |
On Cultural Symbolic Meaning in the Architectural Art of Forbidden City |
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| PENG Hong.On Cultural Symbolic Meaning in the Architectural Art of Forbidden City[J].journal of Hengyang Normal University,2003,24(5):110-113. |
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| Authors: | PENG Hong |
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| Abstract: | Forbidden City is the best model of Chinese classical architecture. She is not only a treasure of splendid ancient chinese culture, but also a representative cultural relic in mankind history. As a sort of ideology, her architectural art embraces great implication of traditional culture, and such is the nature-human integration , "Zongfalizhi","Yinyangwuxing" in ancient Chinese culture. |
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| Keywords: | Forbidden City architecture culture symbol nature-human integration |
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